A Photographer Captures the Bizarre and Idiosyncratic Collections Displayed in Belgian Windows

All images © Jean-Luc Feixa, shared with permission

When photographer Jean-Luc Feixa moved from Toulouse to Brussels, he began noticing the cultural, linguistic, and architectural differences between the two cities. “It may seem anecdotal,” he tells Colossal, “but the windows here are much larger than in France and easily disclose the house interiors.”

On his commute, Feixa often would pass the glass openings displaying robust collections, family mementos, and items for sale. “One day, I came across a group of children who seemed to be fascinated by a LEGO construction. It was quite captivating to see them commenting on this installation for many minutes. That was the trigger,” he says.

In the seven years since his relocation, Feixa has captured dozens of windows around the Belgian city, which he recently compiled in a book titled, Strange Things Behind Belgian Windows. Each provides not only a glimpse into the residents’ lives but also the objects they both intentionally and accidentally display. From a panda bear collection to a taxidermied fox to the finish line of a bike race, the objects encompass the cutesy and the odd and are always idiosyncratic. One display in particular—the homage to Elvis Presley (shown below)—has been exemplary of Feixa’s intention.

I talked for a long time with the couple. They are absolute fans of the King, and they were very moving. They decided to share their passion from behind their window. They really represent what I tried to convey with my series, that windows can be a perfect showcase to communicate a passion, send a message, reveal a part of oneself.

Since Belgians have begun quarantine, the photographer says windows have been transformed into a more intentional form of communication. “Whether to sell masks, encouraging people to stay home, or congratulating the medical staff, I see a lot of objects appearing, and it’s great to be able to continue the project,” he says. Feixa is hoping to chronicle this unusual period in a second volume.

To see the full collection of photographs, grab a copy of the photographer’s book, and keep up with his work on Instagram. (via Design You Trust)

 


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Domestic Ceramics by Mechelle Bounpraseuth Infused with Culinary Life and Family Memories

All images © Mechelle Bounpraseuth, shared with permission

Sydney-based artist Mechelle Bounpraseuth crafts miniature ceramics that explore her identity as a first-generation daughter of Laotian refugees. Her small and glossy ceramic artwork, which ranges from drink cans to widely known sauces, explores her connection with her past and how branded ingredients are rooted in culinary culture and rituals. 

Bounpraseuth was raised a Jehovah’s Witness, and despite many fond memories of her family and childhood, her religion discouraged her from pursuing artistic pursuits. She left the religion in her 20s and got married, realizing that her dream of becoming an artist was possible and that she didn’t have to succumb to the person her religion had wanted her to be.

Her creativity initially began from drawing and creating zines, before Bounpraseuth enrolled in a ceramics course and began crafting functional objects. Noticing her talent for the medium, her tutor encouraged her to pursue work with more artistic flair. She began to expand on her drawings of household objects by recreating them in clay and glossy bright colors.

One of Bounpraseuth’s ceramics is a Heinz Ketchup bottle, a condiment found in many family fridges and cupboards throughout the world. For the artist, the sauce represents the memory of her family eating pho together, a ritual in which they would come together and make the recipe from scratch with a dollop of ketchup. These sculptural forms are meaningful symbols to Bounpraseuth as the pho was a labor of love and would take her family all day to make.

Through the creation of these domestic objects from her past, Bounpraseuth uses her artwork as a way to reflect upon and process her childhood memories and as a way to navigate her old and new identities. These pieces illustrate how some values remain passed down from generations, like Bounparseuth’s reference to her family’s shared domesticity, while some core aspects of family, like religion, are not always. 

For more of the artist’s memory-focused ceramics, head to Instagram. (via It’s Nice That)

 


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Árida Font Family by Latinotype

Árida, a desert-inspired font family designed by Alfonso García for foundry Latinotype.

Árida is a font family inspired by the Argentinian city of San Juan, which is located in the semi-desert of Cuyo. With its sharp edges, it pays home to the vegetation of this region. The typeface seems aggressive at large sizes but looks warm and friendly at smaller sizes⁠.

The Árida font family comes in 5 weights ranging from Regular (with a matching Italic version) to Black. Its regular weight contains 773 glyphs while its Italic counterpart is composed of 939 glyphs. Furthermore, the family also includes numerous typographic features such as small caps, different styles of figures, ligatures, stylistic and contextual alternates, among other OpenType features. To learn more, just click on one of the following links.

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Árida font family by Latinotype.
Árida font family by Latinotype.

Download at MyFonts
Download at Fontspring

Do not hesitate to browse through our recommended Fonts category to find more typefaces for different needs. The section includes a wide range of different styles such as geometric sans fonts, elegant serifs, and handwritten script typefaces.

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The post Árida Font Family by Latinotype appeared first on WE AND THE COLOR.


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